FILM OAOA treats cinema as a drifting rumour. Borrowing from wandering images and attentive looking, it gathers fragments, delays conclusions, and allows meaning to remain provisional
VISUAL ART The Visual Art faculty engineers viewing apparatuses that behave unpredictably.
SOCIAL SPACE This faculty cultivates socially engaged methodologies and shared knowledge. Through participatory formats and site-responsive interventions, it centers lived experience and local expertise, fostering collective learning attuned to specific social and spatial conditions.
UNLAW A bureau dedicated to the circulation of anonymous case studies drawn from artists’ encounters with galleries, municipalities, visa regimes, and other institutional authorities. Through shared experiences, it offers practical knowledge, survival strategies, and guidance for navigating juridical grey areas and sustaining agency within precarious conditions.
MYTHOLOGY OAOA approaches myth as a living current. Borrowing from oral tradition and speculative fabulation, it invites forgotten figures, minor prophecies, and half-true narratives to re-enter the present. We see myth as rehearsal, misdirection and necessary fiction.